Tag Archives: Costumes

Behind the Design of Goodnight Desdemona (Good Morning Juliet)

The Designers of Goodnight Desdemona (Good Morning Juliet) are working away to build our world. Take a look at their works in progress!


Failure and Folly – How costume design made it more ok to drink wine in the tub. by Casey Ballard

Failure and Folly

How costume design made it more ok to drink wine in the tub

I will be the very first person to admit that I fail on an almost constant basis. I fail at getting to the gym regularly; I fail at not eating popcorn for dinner three days a week; and I fail spectacularly at least once in every costume design project I work on.

It’s an interesting study in hubris and humility. I will be working steadily, thinking to myself, “Oh man, I am really nailing this- it’s gonna look so good” only to cut the final thread and see that instead of a perfectly tailored jacket, I have, in fact, created something that looks like the unfortunate offspring of a cape and a snuggie. Thus, I am left to seam rip approximately 9,000 yards of fabric while swearing out loud to myself, as my dog looks on, pityingly. That’s a lie- he’s seen me make so many obvious mistakes, he no longer offers sympathy. And yet, despite the fact that they are indeed very obvious mistakes, I make them. I sew one giant pant leg, instead of two. I cut the fabric out backwards, yielding two left sides. I buy the wrong size of EVERYTHING even though I wrote the sizes down.

So why on earth do I keep doing this? Why on earth do I subject myself to the constant humiliation of failing in little ways all the time? You mean, aside from the fact that I get to make people shirtless at the drop of a hat? Well, mainly, it’s because each failure has only been an opportunity for growth (WERE YOU EVEN READY FOR THAT NEW AGE TRUTH BOMB?!!). And I don’t mean growth in the sense of “Oh I’ll never make a mistake again”- this is quite obviously not the case with me. I mean the “Oh dang it, these shoes are the wrong size and I cut the tags off already and the store exchange policy clearly states that

the tags need to be attached so maybe I can hot glue the tag back on and they won’t The fear of failure is something that has a crippling, stunting effect, and yet is ingrained in our essence from the get go. Socially, academically, financially; all these arenas seem to demand success (of course, you are welcome to disagree. You’d be wrong and I will laugh at you, but still…juuuuust kidding, friend). When I was younger, I developed some pretty severe anxiety around making sure I was “succeeding”, which quickly turned into fear of trying, should I look like a failure to those around me. Then, out of the clear blue, I stopped caring and everything was perfect, the end.

Psyche. That did not happen. I still regularly drink wine in the bathtub while I stretch my mind around a seemingly unfixable issue. What did happen was costuming (in tandem with reading a loooooot of self-help quotes…). I fell into costume design by pure bravado, so instead of using my fear of failure as a detriment, I switched to using my natural tenacity as a catalyst. I stopped thinking about how embarrassing it would be to fail, and started focusing on how rad it was when I fixed something, and made it a thousand times better. Like when I made the sleeves of a cloak way too long, so I doubled them up, and magically created a unique, interesting layered look- AND NO ONE KNEW IT HAD HAPPENED BY MISTAKE! Bwahahahaha! Mistakes and failures are going to happen, it’s inevitable, but it’s not the end of the world. I hate to be “that girl” who includes a quote, but I am, so deal with it: “When we give ourselves permission to fail, we, at the same time, give ourselves permission to excel.” – Eloise Ristad

Working as a costume designer has been one of the best things for me, in terms of growth and acceptance. It has made me far less afraid of trying something, because it has helped instill in me a sense of trust and confidence in myself to solve any issue that may arise. Not to mention, worst case scenario, I just make everyone be shirtless.

-Casey Ballard, Costume Designer

Casey Ballard on Costuming Richard III

Lingerie, Shirtless Dudes, and Why Footwear is the Bane of My Existence


It was recently posited that perhaps a blog written by me, the costume designer, might be interesting.


My job is fascinating on so many levels. It is ridiculous the amount of awesomeness I get to do. I buy some of the most bizarre things at some of the most bizarre places without batting an eye.

Oh, I need a super padded, trashy/classy bra and a red thong? No big. I bought a couple, to compare. The sales lady very graciously did not look me in the eye.


I need to figure out what kind of gun holster is most appropriate and what kind of gun goes in it? Let me just scroll through all these images of dudes holding weapons while I wait for my pad kee mao (The waiter did look me in the eye with what I can only assume was a mixture of respect and fear).

Another reason I really enjoy costume design is that it is such a living design element. I like that I get to work so closely with all these amazing actors. I like that I can tell the story of a character and their background based solely on what kind of shirt I put them in. I like that I have the power to make as many men shirtless as possible. I like that I abuse this power sometimes- it’s fun to objectify people. But seriously, costumes tell such a human story. What we wear is a choice. Figuring out what certain characters would wear, and why they wear it, and how they choose to manifest their own emotions and ideas into their outfit, is such a fun challenge. It’s a wonderful mix of anthropology, sociology, and history. It makes me feel really smart, and not bad at all about the whole shirtless dudes thing.


With “RIII” I found myself once more working with what I like to call “base costumes”- the notion that everyone has one basic outfit, and will add or subtract to signify a character change. I was worried at first that all black in an all black space would be….dark (budum-bum). Then I told myself to stop worrying because I intrinsically trust my fellow designers- they trust me to not do something dumb, so I trust them. And it worked out beautifully. Collaboration was such a huge factor in this play. It was so important, that I am going to reiterate, in all caps: COLLABORATION WAS SO IMPORTANT. I came in to this show knowing I would be dealing with a large cast and a larger character list. I was also brand new to working with this company, therefore, I knew absolutely no one. And yet, when I requested that the actors all bring in black items, especially shoes (shoes are the WORST thing- they cost the most out of anything ever in the world, and are so annoying when they are brand new and half the time feet aren’t really the size you think they are. I thought I was a solid 10 ½- nope. They are now, for no apparent reason, a size 11), every single person willingly brought in something and then some. And they very graciously allowed me to use a bulk of their personal items for the run of this production. The outpouring of collaboration and support and willingness to share and help was overwhelming and calmed my anxious state of mind. I have had an absolute blast working with these guys and I am ever thankful for the opportunity and trust the bestowed on me.


Now I just have to figure out how to get all actors to be half naked all the time…..

-Casey Ballard, Costumer for Richard III